Teen Wins Robert Johnson New Generation Award

Teen guitarist and vocalist Matthew Davidson, of Shreveport, has won the 2011 Robert Johnson New Generation Award.

Davidson, 13, said it is an honor to be chosen for the award. About 25 young musicians were considered.

“It’s an award given out annually to guitarists 12 to 18 years old that helps young kids like myself keep interested in the blues and respect the blues,” Davidson said.

Johnson was a blues singer and guitarist who recorded 29 songs between 1936 and 1937 for the American Record Corp. According to the Robert Johnson Blues Foundation website, in the decades after his death in 1938, Johnson has become known as the King of the Delta Blues Singers, with artists such as the Rolling Stones, Bob Dylan, Eric Clapton and the Allman Brothers who have recorded his songs.

“Robert Johnson is one of the greatest blues players. He kind of started it all and paved the way for so many,” Davidson said.

Steven Johnson, grandson of Robert Johnson and vice president of the foundation, said it was Davidson’s style and professionalism that set him apart.

“His style was kind of advanced for his age,” Johnson said. “It was crisp; it was professional. His style with that electric guitar was amazing.”

As winner of the award, Davidson also will receive a Robert Johnson Signature Gibson L-1 guitar and a chance to play at a future foundation event.

Davidson’s musical influences include the Beatles, Creedence Clearwater Revival, Stevie Ray Vaughan, ZZ Top and Chuck Berry.

“I’ve always been a huge fan of the Beatles,” he said. “In the past couple of years, I’ve started getting into the blues, and that’s been great for me because I’ve gotten so many opportunities and honours in the blues world. But I still like classic rock and some pop.”

Davidson’s band, the Matthew Davidson Band, includes 15-year-old drummer Kyle McClanahan; Chris Campisi on bass; and 15-year-old Gregory Walton on keyboard.

“We’re playing at Holiday in Dixie in April and then my band and I are really excited to be playing at the New Orleans Jazz Fest on May 5,” Davidson said. “That’s also an honour to get invited to play there.”

(From http://www.shreveporttimes.com/article/20120105/NEWS01/201050320/Shreveport-teen-wins-Robert-Johnson-New-Generation-Award?odyssey=tab%7Cmostpopular%7Ctext%7CFRONTPAGE)

Teen Wins Robert Johnson New Generation Award

Over 700 Unreleased Thin Lizzy Songs Discovered

Thin Lizzy Tapes Featuring Up to 700 Unreleased Songs Discovered

Tom Hill, WireImage

Before his death in 1986, Thin Lizzy frontmanPhil Lynott gave an unidentified caretaker 150 tapes of unreleased music. Now, the Irish Independent reports, some of the nearly 700 songs included in that stash will finally see the light of day, as Universal is prepping a new Thin Lizzy box set due out later this year.

“This is an absolutely stunning find,” project manager Steve Hammonds told the newspaper.

Following on the heels of another box set, ‘Live at the BBC,’ which was released last year, the collection will feature outtakes and alternate versions of Lizzy hits, as well as “material which was recorded but never released at the time,” Hammonds said. The tunes spans 1971 to 1981, when the Dublin rockers were signed to Decca.

The group’s surviving members are said to be helping with the project, and while Wednesday, Jan. 4 marks the 26th anniversary of Lynott’s passing, Hammonds insists this set is no crass cash-in.

“Phil Lynott passed the material on to a third party for safekeeping,” he said. “They held on to it for decades because they were waiting for the right people to come along.”

“They really didn’t trust anyone enough to release it properly,” he added. “No money has changed hands, this person is a Thin Lizzy fan.”

Watch Thin Lizzy Perform ‘The Boys Are Back in Town’
Watch ‘How to Play ‘The Boys Are Back in Town”

(From Spinner.com

32 Years Later: Peter Frampton’s 1954 Les Paul Found in the Caribbean

Peter Frampton’s 1954 Les Paul Found in the Caribbean – After 32 Years!

Andrew Vaughan
03.01.2012

A 1954 Gibson Les Paul that Peter Frampton played during his Humble Pie and solo days has been found after investigation by two Frampton fans. The guitar had been presumed lost in a 1980 cargo plane crash.

The Curaçao Tourist Board acquired the guitar and experts from Gibson Guitar confirmed it was, indeed, the missing guitar, long missing from Frampton’s collection.

Frampton was given the guitar in 1970 by a man named Mark Mariana at a Humble Pie gig at the Fillmore West. Frampton borrowed Mariana’s guitar for the show and afterward tried to buy it from him. “But to my surprise he said he couldn’t sell it to me – he wanted to give it to me!” he said.

Frampton played the guitar exclusively on Humble Pie’s Rock On and Rocking the Fillmore albums and his own seminal Frampton Comes Alive!, one of the top-selling live records of all time.

Frampton was recently reunited with the guitar in Nashville, Tennessee. He said: “I am still in a state of shock, first off, that the guitar even exists let alone, that it has been returned to me. I know I have my guitar back, but I will never forget the lives that were lost in this crash. I am so thankful for the efforts of those who made this possible… and now that it is back I am going insure it for 2 million dollars and it’s never going out of my sight again! It was always my #1 guitar and it will be reinstated there as soon as possible – some minor repairs are needed. And, I just can’t wait to get Mark Mariana on the phone.”

(From Gibson.com News
Original Story: http://www.gibson.com/en%2Dus/Lifestyle/News/peter%2Dframpton%2Daxe%2D0103%2D2012/)

Slash Talks New Album: It’s ‘Raw and Spontaneous’

Michael Leonard

30.12.2011

Slash has been talking about his new in-progress album. It will feature singer Myles Kennedy for all tracks. After the festive break, Slash and Co. return to the studio to continue recording and mixing the as-yet-unnamed album, and the Les Paul-toting star predicts an April release.

Slash tells Total Guitar magazine, “We’re just going for the one take that sounds good, so my solos are more raw, probably sloppier in a way, because they’re very spontaneous to the point where it’s in the heat of the moment.”

Slash and his band – Kennedy on lead vocals and second guitar, Todd Kerns on bass, and drummer Brent Fitz – have completed mixing three songs with another 14 to go. The album is being recorded live, Slash saying the main challenge is “rehearsing the s–t out of them.”

Of the completed individual songs, Slash says, “There’s one song at this point called ‘Bad Rain’ which is a mid-tempo, very heavy and dark song. It’s in a drop-D tuning – and we’re already playing a half-step down – and the solo has a kinda chromatic feel.

“There’s one very uptempo song with a cool riff called ‘Halo.’ The third song is called ‘Standing in the Sun’and it’s very melodic, mid-to-uptempo… just a rock ’n’ roll song! All three of these songs are relatively short, they’re all in a rock mold, and I guess I always come from that pentatonic point of view. For me, any time you go too far out of that, it ceases to be rock. It has to have a basis around that, otherwise it no longer has any essence of that Chuck Berry kinda deal.”

Slash says he is “pretty excited” about making such a raw album with “natural tone” everywhere. “Everything is being played live with the music tracks: the solos, everything. We’re trying not to overdub extra bits. So if there’s a solo, I’m playing on one side, Myles’s rhythm track is on the other.”

Myles Kennedy adds that the album is “real stripped-down and simple,” saying his own favorites so far are “Standing in the Sun” and another song called “Far and Away.”

Despite “sharing” singer Kennedy with Alter Bridge, Slash insists, “I’ve been happiest in my career these last couple of years.”

More Slash:

The World According to Slash

Slash Appetite Gibson Les Paul

Gun for Hire: Slash’s Career as an All-Star Sideman

(From Gibson.com News
Original story: 
http://www.gibson.com/en%2Dus/Lifestyle/News/Slash%2DNew%2DAlbum%2D1230%…

Sam Rivers, Veteran Jazz Great, Dies

Sam Rivers, Veteran Jazz Great, Dies

Russell Hall
28.12.2011

Jazz saxophonist Sam Rivers, a leading figure during the strikingly innovative post-World War II jazz period, died on Monday from pneumonia, the New York Times has reported. Rivers was 88. A multi-instrumentalist, Rivers zeroed in on the tenor saxophone in the mid ‘40s, and soon became an integral part of the then-thriving Boston jazz scene. During the ‘60s he played with such seminal artists as Miles Davis, T-Bone Walker and Billie Holiday. In the ‘70s, working out of his loft-apartment studio in New York’s East Village, he made a series of albums that solidified his reputation as a central figure in New York’s avant-garde jazz “loft scene.” Later Rivers work extensively with trumpeter Dizzy Gillespie, who had been an early influence. After moving to Florida in the early ‘90s, he performed and recorded with his band, the Rivbea Orchestra, and with small combos. This past year saw the release of a 3-CD set titled Sam Rivers and the Rivbea Orchestra – Trilogy, which features recordings from 2008 and 2009.

(From Gibson.com News
Original Story: http://www.gibson.com/en%2Dus/Lifestyle/News/Sam%2DRivers%2D1228%2D2011/)

Coldplay’s Chris Martin Confronts Intruder

Coldplay’s Chris Martin was forced to defend his property when an intruder decided to stage an impromptu performance of Coldplay material at Martin’s residence. As reported by London’s Daily Mirror, Martin first gave singing tips to the aspiring vocalist before asking him to leave the premises.

“I had a guy the other day who climbed over the gate of our house and started singing Coldplay songs to his friends on the street,” Martin said.

The Coldplay frontman told the uninvited visitor, who had climbed a garden wall at the residence, that he wasn’t singing the songs correctly. “Listen, you’re just not doing that right,” he said. The trespasser complied without argument when Martin asked him to leave. “He politely left,” Martin said. “It was bordering on intrusion. Still, it’s nice that people like the songs.”

(From Gibson.com News
Original Story: http://www.gibson.com/en%2Dus/Lifestyle/News/Coldplay%2DChris%2D1228%2D2011/)

Richie Sambora Records Third Solo Album

Bon Jovi Guitarist Richie Sambora Records Third Solo Album

Anne Erickson
26.12.2011

While Bon Jovi fields death rumours (yes, he’s alive and well), his lead guitarist Richie Sambora is starting work on his third solo album at Ocean Way Recording in Hollywood. According toBroadcast Newsroom, Sambora has tapped Luke Ebbin, who manned the boards for Bon Jovi albums Crush and Bounce, for the project.

“Richie and I have worked on and off together for years,” Ebbin told Broadcast Newsroom. “Richie came off the Bon Jovi tour energized and we got together to write a couple of songs. The results were very good, so we kept writing more and decided to go in and record them.

“The recordings came out great, so Richie decided why not make this a solo record? There are eight songs in the can now, including a co-write with Bernie Taupin…”

Sambora’s first solo release was 1991’s blues-based Stranger in This Town, and he followed up that with 1998’s Undiscovered Soul. Ebbin says the guys have started round two of sessions and hope to have the full album done by early spring.

Bon Jovi also scored one of the top tours of 2011, and check out the full list here.

(From Gibson.com News,
Original Story: http://www.gibson.com/en%2Dus/Lifestyle/News/Bon%2DJovi%2D1222%2D2011/)

Ralph MacDonald, Esteemed Percussionist, Dies

Ralph MacDonald, Esteemed Percussionist and Writer of ‘Just the Two of Us,’ Dies

Russell Hall
22.12.2011

Ralph MacDonald, an esteemed percussionist and composer who co-wrote the hits “Just the Two of Us” and “Where is the Love?,” died on Sunday (December 18) of lung cancer. The Connecticut resident was 67.

Born in New York City, MacDonald played steelpan percussion in Harry Belafonte’s band for a decade before striking out on his own. His big break came in 1971, when Roberta Flack scored a hit with “Where is the Love?” – a song MacDonald had written with William Salter. Ten years later, Bill Withers and Grover Washington Jr. reached #2 on the Billboard charts with “Just the Two of Us,” another co-write of MacDonald’s and Salter’s, which went on to win a Grammy.

MacDonald’s recording credits numbered in the hundreds. His distinctively Caribbean-flavoured percussion work can be heard on such tracks as David Bowie’s “Young Americans” and Jimmy Buffett’s “Margaritaville.” Despite being in-demand among such stars, MacDonald remained true to his roots, and often travelled to his ancestral home of Trinidad and Tobago. His devotion to calypso remained evident in his work throughout his career.

Listen to MacDonald’s tasteful work on Jimmy Buffett’s classic “Margaritaville.”

(From Gibson.com News,
Original Story: http://www.gibson.com/en%2Dus/Lifestyle/News/Ralph%2DMa%2DDonald%2D1222%…)

U2, Bon Jovi Had Top Tours of 2011

 

U2′s 360 Tour Easily Out-Earned Everyone in 2011

By Marc Hogan on December 21, 2011 10:12 AM

If you like rock music and have a pulse, chances are you saw U2′s 360° Tour this past year. Bono and Co. had the biggest-grossing trek of the year, taking in slightly more than $293 million after playing to roughly 2.8 million people, according to the Hollywood Reporter. The Irish stadium-rockers’ mammoth tour hit Africa and the Americas in 2011, grossing more and drawing more attendance than any other tour in history over its three-year run.

The rest of the list is quite diverse. New Jersey rockers Bon Jovi took in more than $192 million on attendance of about 1.8 million fans, British pop vocal group Take That’s reunion tour grossed $185 million, and founding Pink Floyd member Roger Waters’ “The Wall Live” earned almost $150 million, according to THR. Next came Taylor Swift with a gross of $97 million on her guest- and cover-laden Speak Now tour, fellow country star Kenny Chesney with $84.5 million, and R&B hitmaker Usher with $75 million. Lady Gaga’s $72 million, Dutch classical musician André Rieu’s $67 million, and Sade’s $53 million round out the top 10.

From Achtung Baby to Shock’n Y’all, check out THR’s full list of the top 25 tours below:

1. U2, $293 million
2. Bon Jovi, $192 million
3. Take That, $185 million
4. Roger Waters, $150 million
5. Taylor Swift, $97 million
6. Kenny Chesney, $84.5 million
7. Usher, $75 million
8. Lady Gaga, $72 million
9. André Rieu, $67 million
10. Sade, $53 million
11. Michael Bublé, $50 million
12. Eagles, $50 million
13. Katy Perry, $49 million
14. Lil Wayne, $46 million
15. Justin Bieber, $44 million
16. Glee Live! In Concert!, $40 million
17. NKOTBSB, $40 million
18. Journey, $40 million
19. Britney Spears, $37 million
20. Iron Maiden, $33 million
21. Kylie Minogue, $32.5 million
22. Neil Diamond, $31 million
23. Enrique Iglesias, $30 million
24. Jason Aldean, $28 million
25. Toby Keith, $27 million

 

(From spin.com,
Original Story: http://www.spin.com/articles/u2s-360-tour-easily-out-earned-everyone-2011)

Captain Beefheart’s ‘Lost’ Album Coming in January

‘Lost’ Captain Beefheart album set for release

‘Bat Chain Puller’ is due out on what would have been Don Van Vliet’s 71st birthday

'Lost' Captain Beefheart album set for release

Photo: www.paphotos.com

A ‘lost’ album by cult experimental musician Captain Beefheart will be released on January 15, 2012.

The album, ‘Bat Chain Puller’, dates from 1976 and was shelved after producer Frank Zappa - pictured below – sued his former manager Herb Cohen for skimming money from DiscReet Records, the record label they started together.

‘Bat Chain Puller’ will now be released on what would have been Beefheart’s – real name Don Van Vliet – 71st birthday. Vliet died in 2010 at the age of 69, due to complications from multiple sclerosis.

The follow up to 1974′s ‘Bluejeans & Moonbeams’ was never officially released but became a popular bootleg, reports The Guardian.

Frank Zappa‘s estate has announced the official release of the album, 36 years after it was recorded. It will be made up of the 12 original album tracks as well as three bonus songs. Many of the songs were re-recorded and featured on later Beefheart releases. The album was mixed by Denny Walley and John French of Captain Beefheart & His Magic Band.